Pamela Hutchinson’s study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger’s capacity for ‘composed cine
Pamela Hutchinson’s study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger’s capacity for ‘composed cine